The Waterloo Forever Variety Show brought together the creative energies of public housing tenants, their supporters and community, report Plum Cherry聽and Rachel Evans.
Film & theatre
The actors鈥 union reached a tentative agreement on a new three-year contract with Hollywood and television studio bosses in the United States on November 8, ending its historic 118-day strike, reports Malik Miah.
Martin Scorsese's latest offering, Killers of the Flower Moon is a somber and harrowing tale of murder, deceit and genocide of Indigenous people in North America. Isaac Nellist reviews.
Isaac Nellist reviews a new ABC production about the struggle of refugees living on temporary visas, climate change and the importance of community.
The Writers Guild of America (WGA) secured a tentative agreement with the major Hollywood studios and streaming companies on September 24, ending its nearly five-month-long strike, reports Malik Miah.
Cabaret performer and "Eco-Worrier" Hannah Gwatkin speaks with Alex Bainbridge about her climate cabaret coming up at the Sydney Fringe.
International scrutiny of Indonesia's brutal occupation of West Papua was given a boost with the release of the documentary Paradise Bombed, which details Indonesia鈥檚 military occupation of West Papua and its 2021 bombing of Kiwirok and surrounding remote mountain villages, reports Leo Earle.
The brilliance of Barbie is its confrontation of patriarchy and power, writes Christine Hepsie.
In an interview with 麻豆传媒 Radio, musician, activist and filmmaker Izzy Brown said there is 鈥減ower in people and when those people are dancing the cops don't know what to do鈥, writes Ruth Heymann.
Isaac Nellist and Leo Earle go through the latest news from across the continent and around the world.聽
Members of the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) 鈥 representing 160,000 actors across the United States 鈥 went on strike on July 14, joining writers on the picket lines, reports Malik Miah.
Janaka Biyanwila reviews Sand (Munnel in Tamil), directed by Visakesa Chandrasekaram, which screened at the Sydney Film Festival.
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