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In the strange furore surrounding right-wing columnist Andrew Bolt demanding an apology from the ABC over a guest on Q&A suggesting he was racist, it is Bolt's long-time readers and fans for whom I feel the most.

Images forge reality, granting a power to television and video and even still photographs that can burrow deep into people’s consciousness without them even knowing it. I thought that I, too, was immune to the repetitious portrayals of Venezuela as a failed state in the throes of a popular rebellion. But I wasn’t prepared for what I saw in Caracas this month: how little of daily life appeared to be affected by the right-wing protests, the normality that prevailed in the vast majority of the city. I, too, had been taken in by media imagery.

The arrival of a new M.I.A. album is always a thing to behold. Music critics are sure to be polarised, as are the usually ham-fisted attempts to better categorise her work to make it less controversial than it is. Snide remarks about her latest, Matangi, however, have been relatively muted in the months since its release.

The March in March protests across Australia over March 15-17 were a resounding success – not just because of their size, focus and breadth. Just as significant is the fact that March in March tore apart the idea – seeded by the cynical rhetoric of John Howard's spin doctors in the wake of the invasion of Iraq – that protests don't work. This protest worked precisely because it brought between 80,000 and 110,000 people out of their homes and into the streets in a disparate yet united way against the Tony Abbott government's attacks.

A former welfare worker at the Nauru refugee detention camp says the July 19 riot that razed most of the Topside compound was an “inevitable outcome” of a “cruel and degrading policy”, in a new book released last week. The Undesirables follows several big whistleblower revelations that have come from Nauru since the camp was re-established by then-PM Julia Gillard in August 2012.